Picture 4: Final image after adjustment
Image 2 represents more of a challenge in terms of corrections: the hair is still clearly visible and is now superimposed on the tower. The intricate detail of the tower’s brickwork makes it harder to make adjustments. For this correction I considered using a healing brush and a clone stamp tool. Comparing these two tools, I decided in favour of the clone stamp tool.
In my previous practice I noticed that, when applied near the edge or contrasting area, the healing brush creates a blend of tones taken from within and outside of the healing brush area. For this image, this might represent a problem so I decided to use the clone stamp tool.
In my previous practice I noticed that, when applied near the edge or contrasting area, the healing brush creates a blend of tones taken from within and outside of the healing brush area. For this image, this might represent a problem so I decided to use the clone stamp tool.
Picture 5: image 2 before the adjustments
Picture 6: Image (enlarged section) after the adjustment
I used the same process as with the previous image, to apply corrections.
